The Harp Twins Halloween Savannah Show!



“O passing angel, speed me with a song, a melody of heaven to reach my heart and rouse me to the race and make me strong. ” — Christina Rossetti

Camille & Kennerly, aka, The Harp Twins

The Harp Twins Halloween Concert hosted by Shannon Scott Tours & Events – October 31st, 7:30 to 9:30PM
@ The Bonaventure Funeral Home in Savannah, Georgia!

Search “Harp Twins Halloween.”

I grew up playing a Baldwin piano in our living room under the watch of my mother and in my child’s mind, I always saw the heart of every piano as a harp on its own side. Like only angels could really play harps but the piano was still touching or being permitted to touch divinity. Every now and then I would cheat and pluck the beautiful tightly wound metal strings under the piano lid. Not for very long as it irritated mom and she’d scold that it wasn’t good for the tuning but I’d continue to sneak the occasional strum as I loved hearing it vibrate through the belly of the piano. Once in a moon, a traveling harp player would perform at our church or I’d catch one featured in a symphony night, but other than listening to some harp music on CD it remained a rarity. A life highlight was getting to hear and speak to Yolanda Kondonassis in Savannah but that was some 20 years back.

When one thinks of being close to divinity, a Victorian cemetery acting as a reflection of Eden with harp & lyre symbols and many angel statues is a visual symphony unto itself. One might even be more inclined to say that one can actually hear harps playing. Not a bad thing and if the reader must know, I often privately imagine such sounds along with great horns and chorus. 

Its a relatively fair assessment to say we imagine angels as perhaps golden-haired winged beings. And often they are depicted with lyres classically as they’re a bit more mobile while in flight really. Just ask any angel. Revelations Chapter 5 speaks of  “Four angels, along with 24 elders, each hold a harp and a golden bowl full of incense to represent people’s prayers as they praise Jesus Christ.”

Angels Entertaining The Holy Child by Marianne Stokes

Artists & they’re religious influencers it would seem have always tried to use art to make religion more palatable. Cherubs or Cherubim were originally hideous creatures guarding the gates of Paradise or Heaven. Artists made them into fat babies with wings. Angels were “messengers” but depending on which text one is reading, they were up to good or no good and at times, sending mixed messages. They all seemed to get friendlier during The Renaissance and more overall “golden” in their works as time went by. Victorian sculptors did their look a huge favor by humanizing & feminizing them in the 19th-century cemetery landscapes to make them seem more relatable and to make the statement that “women were the angels of our lives.” For centuries angels had been depicted as sexless and emotionless as those are earthly qualities and such celestial beings had no purpose inside of such mortal characteristics or behaviors. Now, or at least in The Victorian Age, it was all about bridging the distance between earthly and heavenly dimensions. 

Hey, I’ll bite. I’m all for love, beauty, knowledge & harp music.

Which is why a couple of years or so back when I was perusing YouTube and caught sight of these 2 angelic creatures strumming what appeared to be gothic space-age Celtic harps with Savannah cemeteries as the backdrop to their version of “Paint It Black, I was more than reeled in by who I would come to learn were The Harp Twins, Camille & Kennerly. It was if some of those weeping angel statues had been commanded to unfreeze and serenade the dead with song– Ah, players after me’ own art. 

Let’s face it, we’re all fascinated by identical twins. It’s even more hypnotic if they’re playing killer music on harps. It’s then thrice as good if they’re also angelic looking but now my obviousness is showing. You get it though. They’re mystical. In fact, when you watch these sisters play, in between admiring their talent, you’re trying to decide the plausibility to them actually being from another world. Yes, they’re just a couple of talented good-natured Mid-Western girls really but I’m not entirely convinced this isn’t just a cover so they don’t get taken to Area 51 for research. Could happen. 

“Intrepid musicians  If you live long enough, you get to hear this (The Harp Twins) version of White Wedding”      —   Billy Idol

Anyway, I knew that I had to kidnap them for at least a show at some point as we were clearly all kindred musical spirits along with being friends in cemeteries and historical ruins. I reached out to them in 2018 and the response very positive but things kept coming up but we all felt it was meant to be at some point. I was beyond thrilled when they mentioned an opportunity for Halloween Night just a few weeks ago! And if you live in Savannah, you know if Halloween falls on a weeknight it can be a struggle to find something really cool to do that’s “different.” Yes, this concert fits the bill and while we can’t have it in Bonaventure Cemetery itself, we think it’s pretty awesome to have it in The Chapel @ The Bonaventure Funeral Home just up the street from the hallowed grounds. The Harp Twins promise to share some previously unheard, Halloween inspired music and of course, the rock classics they’re known for by Metallica, The Rolling Stones, Megadeth, B.O.C., Iron Maiden, Billy Idol and others! Its my honor to bring them to you so don’t miss out as tickets are extremely limited! 




Save The Choo Choo Building!


It was an honor this week to have my open letter to Savannah’s Mayor & City Councilmen published in the newspaper, CONNECT Savannah regarding what has been a several year battle over saving the 1929 SEABOARD Freight Station which is a stone’s throw from The Roundhouse Complex, the old Central Railroad of Georgia facility that is now an interactive museum. Nearly every historic city with reminders of the past like this, confront these battles, often losing to developers who have all of the money, legal team and in many cases, the legal right to do as they please. Savannah, however, has a protected Historic District, of which the SEABOARD building is outside of, and to be honest? This one at some level may be on the shoulders of Historic Savannah Foundation in that they haven’t much expanded the vision to include these peripheral structures but am not here to sort out the faults on that as they’re certainly weighing in on the fight. They’ve even offered up some beautiful alternative proposals to what the developer originally offered (SEE GALLERY). Cost wise the developer saw no way to have an effective property here and the plan was to demolish the building and build your standard fare, overpriced hipster apartment complex that as a genre, continue to ruin cityscapes and skylines across the world offering no connection to the surrounding neighborhoods. I will spare the reader here how my view is that this “trend” is part of The United Nation’s push through various foundations and Agenda 21 to influence politicians and planners to show preference to these sorts of structures and their developers, but I do hold that viewpoint and encourage others to read more about the subject.

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All the same, it appears that through much rabble rousing from various individuals in the community, leadership alike, the developer JSR Properties, LLC (aren’t they always), has felt the pressure and has responded by promising to present a new plan to The City of Savannah that includes the building! Empty promises? We shall see! But I like to think my letter is another spiritual tip of the hat to not only the effort of saving the building, but a nod to my friend Lee Adler, founder of Historic Savannah Foundation and board member of The National Trust. He was a legend in his lifetime but also a special friend to me and although he’s no longer with us sadly, the good work must continue through individuals making efforts large and small. I know he’d be proud of everyone doing their part. My letter below with original link:
READ Original Letter Here

Open letter to Mayor and Council about the Seaboard Freight Station

Honorable Mayor DeLoach and Aldermen,

As a tour company owner and operator in Savannah, I often tell my guests that in order to truly appreciate Savannah, you have to understand that it’s not only a story of what’s here but also what’s left. It’s a war story of sorts.
We’ve lost The Mulberry Grove. We’ve lost Mary Musgrove’s Savannah Town. We’ve lost The Hermitage.
A lot has been lost. Too much to list really and lots of arguments as to why they were. Everyone’s got an angle or an agenda or a right, etc.
I don’t know much about the Seaboard building to be honest. I don’t have any romantic stories about it.
I just know that I like driving by it and then glancing at the other nearby railroad buildings of history. And while it seems a little lost sheep where it sits, it just makes sense that it’s there.
I’ve always felt a sort of satisfaction that it exists and that it speaks esthetically and historically to that side of town where so much life and commerce was oriented around it. That it was part and parcel and even central.
It’s really more monument than building at this point. It’s sacred space somehow.
To knock it down in my view is a crime even if the letters have been dotted and the T’s crossed. Albeit it isn’t The Davenport House, I do wonder in this day and age, where are those ladies or people willing to stand in front of the wrecking ball? Have we all gotten so comfortable?
I realize that leadership is often a thing where one’s hands are tied. But why is it that it seems that this developer didn’t have more vision to include it from the beginning?
No architectural class or tour will ever make a point to marvel at another blightful residential complex in our town.No tour company 100 years from now will ever race to show it to their guests. No books will boast of its architect.
In fact, in my opinion, it would be quite the opposite. It would be discussed loathingly as part of the “Atlanta” or “Charlotte” trend of building ugly condos up that tower and overshadow the nearby neighborhoods and have no connected feeling.
And that the leadership allowed a beloved structure to be sacrificed for them.
If the Seaboard is to be demolished, that might also be seen by the developers as a victory for more. More as in other buildings will meet the same fate and more will be lost.
And historians and storytellers like me will have to bemoan the leadership who didn’t fight harder to both hold the line for that loss and then push for a better vision. Your names will in effect, be tied to one of those outcomes forever in the history books.
So I say let there be development, but push for a vision that keeps a valuable member of the family.

Shannon Scott/Shannon Scott Tours